INTERNATIONAL EDITION / Volume 01PEOPLE, CULTURE & A WIDER WORLD
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WAYFARER

THE CURATED EDITION.

Reportage / Milan

Marchesi 1824: swallows in chocolate

The confectioner’s Easter collection joined hand decoration, Venezuelan cacao and the image of a returning bird.

FROM THE WAYFARER BRAZIL ARCHIVE / English adaptation. Date shown is the original publication date.

Marchesi 1824: swallows in chocolate
Image from the WAYFARER Brazil archive.

Chocolate can carry a seasonal image before it is cut or tasted. Marchesi 1824’s Easter collection, The Return of the Swallows, used that possibility to bring spring into the confectioner’s visual vocabulary.

The March 2026 archive placed a two-kilogram dark chocolate egg at the centre, decorated by hand with swallows and pink flowers. A white chocolate version took the shape of the bird itself, moving from a painted surface towards a small sculpture.

Other pieces worked at different scales. The 400-gram eggs paired pistachio with raspberry, hazelnut with lemon, almond with orange, and pecan with caramel. Smaller formats drew on gianduia, hazelnut praline and cremino. Pastel colours sat beside the browns of cacao rather than replacing them.

The original account also recorded Venezuelan cacao at a concentration of 74 per cent and a return to older recipes. In Milan and London, window displays carried the theme through nests, chocolate houses and suspended birds.

For the Milanese house founded in 1824, the collection connected craft to a recognisable seasonal ritual. Its interest lay in the relationship between decoration and ingredient: a bird supplied the image, while cacao gave that image substance. The archive preserves the collection, not a current Easter offering.


Adapted from the WAYFARER Brazil archive, first published 2026-03-27. English adaptation: 6 October 2026. This is an archival account, not a report of a new visit. Exhibitions, collections and menu details are described in their original context, not as current availability.

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