Reportage
Chantilly polo: a French field, an Argentine evening
Luiza Rodas’s archive account followed the September final from the pitch to an asado at the team’s stables.
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People, places and ideas.
A wider point of view.
Travel / Reportage
ANDO Living: the apartment as a hospitality format
A 2025 account examined the Portuguese brand's combination of private domestic space and hotel-style support.
Design / Reportage
ETEL: two Brazilian designers beside Lake Como
Claudia Moreira Salles and Etel Carmona's work met in a 2025 exhibition organised around timber, craft and continuity.
Dining / Reportage
Milk & Mellow: gelato joins the São Paulo diner
A burger-and-milkshake institution gave its dessert counter a more deliberate identity when it began making gelato in 2016.
Design / Reportage
ALO at Iguatemi: a Los Angeles wardrobe in São Paulo
Marble, glass and a hanging garden framed the activewear label’s September 2025 opening.
Style / Reportage
Rolex Datejust: eighty years on the printed page
Nicholas Foulkes's authorised history follows the watch through the archive, returning to a design introduced in 1945.
Design / Reportage
Jorge Zalszupin: a modernist returns to Warsaw
A 2025 retrospective connected the designer's Polish origins with the furniture and drawings he developed in Brazil.
Culture / Reportage
The 36th São Paulo Bienal: paths through Ibirapuera
The 2025 exhibition framed movement and artistic routes inside the Ciccillo Matarazzo Pavilion.
Travel / Reportage
Copacabana Palace: a temporary room for movement
The hotel’s archive partnership treated an interruption in its building works as a practical design problem.
Style / Reportage
Le Sibille: sacred architecture at jewellery scale
The Crossings collection translated domes, windows and ceremonial thresholds through Roman micromosaic.
Culture / Reportage
Fernanda Alvarez: colour expands into the room
The 2025 Magic Roads exhibition used mixed media and an enveloping installation to connect painting with the space around it.
Culture / Reportage
Bob Wolfenson: a notebook made of exteriors
A 2025 exhibition moved from the controlled portrait setting towards chance encounters in streets and landscapes.